Pre.Par.Ação[Trombone Methods and Studies]
![Pre.Par.Ação[Trombone Methods and Studies]](https://blogger.googleusercontent.com/img/a/AVvXsEg1td-qh4DGV_V7GkoCFXq7JG6ulaelsfDIHow7qVBJHHkzK5O5mUJ7eLVMfYi8HVdu3oCFxpnsFQGkm2vGFpB7mpC0EBV0cISASerqbqSTU8JQbHB84SVPsgNHPNhhO3xj0sMvC0hDzjXsMaQDVwm7drV94nPF_vKt-Q_DGoXO_wADgTCEpDalesSJeHio=s1409)
“PRE.PAR.AÇÃO - Método para Trombone com 6 rotinas de aquecimento integradas com aplicação prática para elevar a tua performance." [Buy Now]
"Suíte dos Animais"[Trombone and Piano]
!["Suíte dos Animais"[Trombone and Piano]](https://blogger.googleusercontent.com/img/a/AVvXsEgnApEJakaKo8gIbLkmPtKs3V0WHGDdlXtje2mwbSRJg8EuELqBcu-bKZFyKdVEPtDOD_5fLJMqs0lvMEZkRCQlmGk_0qLA0cBdBbxF_Cm09iwfuhaTrayrHa1ReSMaKd8u0Ez-ViGXnoKPBYVmo_X7YaT2wOx_ZaMxJeW0jmfgyok_BWMhu-OQc57htb9K=s1324)
Cada peça representa um animal diferente, onde os trombonistas terão a oportunidade de explorar uma linguagem contemporânea mediante novos timbres (exploração sonora), agir com o corpo (gestos corporais) e, utilizar objetos/materiais percutidos (exploração performativa).
Vocalises in every tonality[Trombone Methods and Studies]
![Vocalises in every tonality[Trombone Methods and Studies]](https://blogger.googleusercontent.com/img/a/AVvXsEi2czyZVcdJ8TTYJ4VZvUwF2qG3LK62mkwFx12L4i-lkGnuzR1k1_8Avbw45iFptecr4YZSoHTxbob8CY9Pdr4H3ezPA84Zjk1TABFfVAq4ZFOfRL9v__st8IX6h7XP1d4RuZ2QQtQUf4BTeQHhRQ3yg2gu5kbmmit_8zxLB8F2pVcGVy94TUK0BXbdRQ=s1262)
"These demanding pieces are intended for the more advanced student or professional, and like the works of Marco Bordogni, Guiseppe Concone, Jaroslav Cimera, etc, offer many benefits for the modern trombonist in relation to breathing control, rhythmic precision, intonation, sight reading and phrasing."[Buy Now]
"fundaMENTAL"[PEDAGOGY]
!["fundaMENTAL"[PEDAGOGY]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9AfNWaptvSx2ae13X6Mi6XLgM7jW8RIDQZArL8UADOXtaUr8D86BNApGje9mSW2a90hlPyeczOMyuY4vTZjj-LO0tm2OTLFbEBU_DlxAsIFz82mvkOFelVFAIq8lxReo4xTlcklRb7fAO/s1599/ENG_2.jpg)
A simple warm-up, with elementary exercises for various levels with few words/suggestions in Portuguese and English. The trombonists should work on fundamentals every day.
Duets Behind an Orchestral Style[Chamber Music]
![Duets Behind an Orchestral Style[Chamber Music]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVmVvxUZ09kb_51EB2DlAv5uqtVNHYVOdGl0-YG9QGncM48_tBGTRPWMTqw4ZgrrOSthyphenhyphenNJLdkyXIszep7NoMcLpX84e9E0eo-hiIolc8MSxMgkLF4zwGaSVjGPSku4BKE_zcbNl67efIx/s1600/460x315_DuetsBehindAnOrchestralStyle+-+co%25CC%2581pia.jpg)
These duets are based on some of the most requested excerpts for trombone in orchestra auditions. They approach the same material as in the original excerpts, adding a dimension of chamber music, with which I intend that the boredom often associated with the prolonged repetitive study is eliminated by a different stimulus.[Buy Now]
